FEATURE 18
FEATURE 18 www.glamsquadmagazine.com
FEATURE gender-bending Orange Culture, with whom she developed a capsule collection back in 2019. Otedola’s soft-glam, clean-girl aesthetic that values minimalism and an individualistic approach to fashion, has also set her apart in the wider Nigerian fashion influencer community. “I don’t really feel like I have a specific style, [but] I think I gravitate toward looks that are quite pared-down,” she says. “I like to think it’s timeless. I’m not trying to jump on every trend. I just like to feel comfortable, take a couple of risks, but keep it clean and fun.” With acting, Otedola is trying to lean into a more spontaneous side of herself that will allow her the flexibility to explore a new creative frontier. Even the way she got into acting, a job she’d never considered before, was, to some extent, unplanned. “I’ve been a really big fan of films since I was nine or 10,” she says, “Whether it was old Nollywood or black-and-white or classics. I’m [also] really big on directors and films as an art form. But I felt like I hadn’t done it from when I was young, like doing school plays, so I figured I would never go into it. “But at some point, I was just thinking about my future,” she continues. “And I don’t necessarily want to be a social media influencer when I’m in my 30s or 40s. Moving forward, what do I really want to do? And I was like, ‘You know, Temi, you could actually try this acting thing.’ Especially with all the new amazing directors we have coming from Nollywood, I feel like there’s a new era happening. I really wanted to be a part of that.” So when she met the legendary Nigerian director Kunle Afolayan at a premiere for one of his films, Otedola walked right up to him and asked for a meeting. “He was like, ‘Well, I’ve been writing this film for a few years. And actually, the main character is a girl in her early 20s. But you’re not an actor.’ I was like, ‘Okay, well, let me audition,’” she recalls. “And it took months and months of auditioning, but that is really how it started.” “ I don’t really feel like I have a specific style, [but] I think I gravitate toward looks that are quite pared-down That chance encounter would land her the role of Moremi in Citation, Afolayan’s gripping story about a young university student who is groomed and eventually assaulted by her lecturer—and who has to face a school tribunal in a bid to clear her name and hold the lecturer accountable. The film, which came out in 2020, is one of the few Nollywood stories with a progressive and hopeful outlook on women finding justice after being sexually assaulted. Citation highlighted the gravity and undue power dynamics between professors and students at a time when Nigerian universities were reckoning with their long-held history of lecturers coercing young pupils into having affairs with them for good grades. The timeliness of the story shot the actress even further into stardom. “Even to this day, people still walk to me to tell me that the film gave them hope,” Otedola says. At the moment, Otedola has even more work on deck, being featured in another blockbuster Nollywood project and other projects—the details of which she can’t divulge. As far as career goals go, the actress hopes to ultimately produce and feature in Nigerian stories that elevate the perspective of women. “We have so many women in Nigeria’s history who haven’t had their stories told,” she says. “There are [numerous] documentaries about Fela, but if you think about his mother, Funmilayo Ransom-Kuti, she hasn’t had a biopic. Just to be involved in producing that and getting that made would be incredible.” Although Otedola didn’t always have a defined idea of what she wanted to do when she grew up, she is, without a doubt, willing to gravitate toward the things that challenge her the most. “I don’t think there are any rules in the creative world—you can try different things. Maybe I’ll go into singing,” she says with a laugh. “At the end of the day, you may as well try and fail than not try at all. I’m open to anything—as long as the passion is there.” www.glamsquadmagazine.com 19
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